Footage
Stock clip library
Durations are measured with ffprobe on ingest — every timing decision downstream depends on them being real.
Site footage
Arriving at the park
The drive in through the gates, hedges either side
Beach at dawn
The beach at first light, nobody else on it
Beach in the afternoon
The beach mid-afternoon, families down by the water
Beach at dusk
Low sun across the wet sand, the tide going out
The coast path
The path along the top of the bay, gorse on both sides
Dog in the dunes
A dog running loose through the marram grass
The lake at first light
Mist coming off the lake, absolutely still
Woodland walk
The path through the trees behind the far pitches
The indoor pool
The pool, kids on the flume
Children's play park
The play park, climbing frame and swings
The Show Bar
The Show Bar filling up, band setting up on stage
The restaurant terrace
Tables out on the terrace, plates coming out
Sunset over the pitches
The sun going down behind the top row, lights coming on
Evening on the decking
Somebody's decking after dark, lamps on, two chairs out
View from the kitchen window
What you see standing at the sink — straight out over the water
Kitchen
The kitchen, worktop running the length of the window
Lounge
The lounge, corner sofa and the log burner
Master bedroom
The main bedroom, walk-in wardrobe off it
Second bedroom
The twin room, made up
Shower room
The shower room, proper mains pressure
The decking
The decking wrapping round the water side
Outside the Vogue
The lodge from the water side, full length of the plot
Kitchen
Island unit, and the lake through the window behind it
Dining area
The dining table with all the leaves out, eight round it
Lounge
The lounge, two sofas facing each other
Master bedroom
The main bedroom with the en-suite off it
Twin room
One of the two twin rooms, four beds between them
The decking
The deck running the whole water side, table and eight chairs
Where the ongoing cost lands
Site footage is a one-off shoot that outlives every caravan on the park. Interior footage is filmed once per model, not per unit — so a second Aspen taken in part-exchange needs no shoot at all, and the filming job stops growing with the stock list.
That is the difference between a recurring job somebody is still doing in month four and one that quietly stops. What stays per-unit is the short “this actual van” segment the manager shoots on his phone, which is the part worth his time.